Our first local scene report, gig guide and DiScover mixtape of bands to check out from our DiSser in Newcastle...
Newcastle's not just black and white, okay? From the outside looking in there's long been a habit to stereotype our 'Geordie Nation' as a bunch of shaven-headed, brown ale-swilling Neanderthals who enjoy nothing more than a pint, a punch-up and a Greggs cheese pasty down the Bigg Market on a Saturday night. Really, nothing could be further from the truth. We may have lost out on European Capital of Culture to Liverpool, but the sting of second place has given birth to an artistic revolution up here. Spearheaded by Maximo Park (who shunned the bright lights of London in favour of staying put in their adopted home town), Newcastle's music scene is the healthiest it's been in years. With local outfits Detroit Social Club and Little Comets recently inking lucrative major label deals, there's a palpable sense of being at the genesis of the region's most intense period of musical creativity since the Eric Burdon-led blues boom of the sixties.
Recently...
Open since 2002, The Cluny in Ouseburn is the only pub on Tyneside to make the top 100 list of the World's Best Bars. It also boasts a 300-capacity live room that has played host to the aforementioned Maximo Park, Arctic Monkeys, Seasick Steve and (unbelievably) Beyonce's little sis Solange Knowles (among countless others). Firmly established as one of the UK's premier small venues, it recently raised nearly four thousand pounds for the Haiti Earthquake Appeal with a series of gigs culminating in a triumphant nearly-hometown performance from the mighty Field Music. And it does a pretty tasty burger, too.
http://www.myspace.com/thecluny
From its humble origins across the city's venues, Newcastle’s Evolution Weekender has enjoyed a Darwin-esque transformation into the UK’s only fully-fledged city centre music festival. This year’s recently announced line-up sees headliners Paulo Nutini, Fake Blood, Enter Shikari and Delphic plus North East favourites The Futureheads, Field Music and Frankie & The Heartstrings taking over the banks of the Tyne for two full days of riotous rock ‘n’ roll at the end of May. The festival is preceded by unsigned showcase Evolution Emerging in which more than 200 local bands have applied for the chance to play at a massive multi-venue event taking place across the city’s Ouseburn district. Last year saw the likes of Night Of Sevens, Manila Chapter and Brilliant Mind emerge from the pack as three of the region’s brightest new hopes. Expect to find some real gems among this year’s 30-odd performers.
http://www.evolutionfestival.co.uk
Upcoming Releases
Beth Jeans Houghton
Singer-songwriter Beth Jeans Houghton is barely out of her teens but is already the darling of the UK broadsheets. Delivering wonderfully unhinged anti-folk with a surrealist edge, Newcastle native Houghton has a talent for self-mythologising (her website bio claims she was born in Transylvania to a pack of albino wolves who raised her on a diet of chewing tobacco and stuffed clams) but don't don't let that put you off. This year's debut album is sure to be a classic.
http://www.myspace.com/bethjeanshoughton
Detroit Social Club
Unleashing their self-styled "retro-big beat-gospel-influenced-junkie folk," Tyneside-based indie-rockers Detroit Social Club have a firm grasp of pop's outsider history. Signed to Fiction Records the band fuse the burnt-out blues of Exile On Main Street-era Rolling Stones with the MDMA-fuelled indie-dance of late eighties Manchester. The first single from their forthcoming Jim Abbiss-produced debut landed on March 1. Expect to hear their full-length in the coming months.
http://www.myspace.com/detroitsocialclub
Little Comets
In a few short months, Newcastle-based guitar-pop outfit Little Comets have gone from guerilla gigging on Metros to getting played on daytime Radio One. Having signed with celebrated major label Columbia, the four-piece are busy putting the finishing touches to a debut LP that already looks set to fire them straight into the Britrock mainstream when it lands later this year.
http://www.myspace.com/littlecometsmusic
Previews
Tyneside is awash with great gigs and great venues at the moment. So much so that a full rundown of must-see events would be pretty pointless. Nevertheless, here's my pick of gigs that really ought to get you out the house in the coming weeks...
Indie-disco mavericks New Young Pony Club showcase tracks from their well-received sophomore album The Optimist at the O2 Academy on Westgate Road on March 25th; local electro-poppers Air To Achilles continue their run of gigs with a set at the Dog & Parrot on the 26th; Newcastle-based promoters Blank Promotions celebrate their 1st birthday at The Cluny on March 26th with a stellar line-up of up-and-coming Tyneside talent including Her Name Is Calla, Laterns On The Lake, I Concur, Sonar Di and Nathalie Stern; at the forefront of North East music for four years, Tyneside-based indie mag Narc marks its anniversary with a huge gig at The Cluny on April 1st that features performances from rising stars Night Of Sevens, Ryoga, Wolves At The Door, Baskin's Wish and Let's Buy Happiness; two of the region's finest indie outfits, Grandfather Birds and Illustrators, join forces for what promises to be a stunning double header at The Head Of Steam on April 5.
DiScover Newcastle Mini-tape
Finally, for your listening pleasure, five Newcastle-based bands that look set to make some sizeable waves outside the region in the coming months...
Let's Buy Happiness
Ubiquitous Tyneside post-punk starlets Let's Buy Happiness made the final twelve of this year's Glastonbury Emerging competition. Expect to hear plenty more from this lot.
http://www.myspace.com/letsbuyhappinessuk
Mansfield Holiday
Legendary cultural commentator John Robb loves Mansfield Holiday, apparently. And rightly so. Walking a line somewhere between Pulp and Art Brut, this most indie of North East bands delivers an explosive blast of razor-sharp post-punk drenched in wry lyrics.
http://www.myspace.com/mansfieldholiday
Polarsets
You'll either love 'em or hate 'em but there's no denying that Polarsets have talent. Don't know what to make of their self-styled 'deep disco' label? Really, it's just quirky indie-pop at its finest.
http://www.myspace.com/polarsets
Brilliant Mind
Remember New Vinyls, the NME-approved twee-poppers that looked destined for greatness a couple of year's ago? Well, they've ditched the multi-instrumentalism and re-emerged as the leaner, tighter Smiths-inspired Brilliant Mind.
http://www.myspace.com/brilliantmindmusic
Manila Chapter
Featuring former members of Kubichek!, Peace Burial At Sea, Sefelt and People Of Santiago, Tyneside supergroup Manila Chapter deliver stunning post-punk that recalls the early sounds of Joy Division-era Factory Records.
http://www.myspace.com/manilachapter
Want to know what else is going on up here? Point your browser at my blog and I'll keep you bang up-to-date with the very best new music, gigs and events on Tyneside. http://toonwaves.co.uk
Photo by Xavier de Jauréguiberry
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I used to go and watch Little Comets at me local pub/hovel/gig venue.
Such is the closed nature of my area. Good band though, the only not shit band I can claim to have seen/heard/known before they got big.
this years Evolution is the weakest most people i talk to can remember
and if you're talking about bands who people from outside the city pay attention to you forgot bands like Lavotchkin.
but hey, this wasn't quite the horrible Narc. piece i thought it might be so that's okay.
it's column number 1
hardly gonna shoot his entire load in the first column
Why does everyone go on about Little Comets so much?
Seen them (accidentally)far to many times, and when they were Freerunner too, there's absolutely nothing special about them at all. Mediocre indie tripe pretty much, and a shockingly dull live band too.
But hey, nice to see a piece on the North East, and Manilla Chapter are pretty ace!
there was me thinking the one pointed to the start of drowned in X-town #1
y'knwo next week Drowned in Leeds
and so on
Narc is very, I dunno.....
We also have a very healthy underground alt rock/punk/experimental type scene with bands such as -
Dragnet - www.myspace.com/teamdragnet
Knuckledragger - www.myspace.com/weareknuckledragger
Mass - www.myspace.com/massmassmass
The Flowers of Evil - www.myspace.com/theflowersofevilmenofrock
Calciuos repton - www.myspace.com/calciusrepton
all those bands are shit
flowers of evil have been going for about 8 years and sound like fucking Placebo.
What's wrong with Narc, anyway? Top quality interviews, it's really easy/un-intimidating to get involved with, covers loads of local and national bands. If they don't cover a band you like, why not email them with a piece you've written yourself?
I dont have a problem with Narc it's just not my kinda thing
and those bands aren't shite mate.
their myspace address is
"flowers of evil, men of rock" or course they're fucking shite, mate.
narc?
the nepotistic way friends always get good reviews, often ill-informed pieces, poorly written. and it looks really ugly too, all that blank space and tiny print.
the guy who had a column where he just ranted about stuff was fun but that just felt like it was the occasional blog entry taken directly from his blogspot and printed in the zine.
oh, and printing reviews of gigs/bands when the writer wasn't even present. I can remember that happening fairly often back in the day.
Did you get a bad review like??
I don't have any friends and I write for NARC. In fact I only make friends with people who got good reviews in it...
I got reviewed by someone who wasn't at the gig once. It happens in all the magazines I've written for, soz.
On another note
Criminal non-mention of Mammal Club, best band in the north east right now: www.myspace.com/mammalclub
The worst/funniest NARC review I remember
was one of a Horrors gig that had been cancelled and the rescheduled date hadn't been played yet, but it raved about how awesome they were... surely just don't bother printing something like that or at least find out whether the gig went ahead?
Umm, that's bollocks
Because a man named Ettrick reviewed that gig and I distinctly remember when it first got cancelled and he then attended the rescheduled gig.
NARC is run by one editor, the writers are all volunteer contributors. If they want to be disingenuous about whether they went to a gig or not then who's to stop them? Who's to stop soapy writing a good review of his mate's shit band?
All those bands have been covered by NARC
I reviewed Flowers myself and know for a fact MASS and all related bands are covered. So you're just putting the blinkers on. There's also a regular clubs section now, so I don't know what kind of 'thing' NARC is?
I just don't see the point in slagging the only decent mag in the north east, let's face it it pisses over The Crack from a great height for reviews and interviews. If you don't like it start your own zine, there's plenty of DIY ones around.
Erm actually...
I'm not talking about the show last year in May which they cancelled then actually did reschedule, which may well have been reviewed properly.
I'm referring to the show upstairs at Newcastle Union way back in 2006 where they pulled it and, my mistake, never actually rescheduled. There was a review in the December or January issue of NARC about it, despite the gig never actually going ahead.
Good journalists, at least in my mind, shouldn't be printing things they haven't bothered to attend should they, let alone review a gig that never happened. Would you review an album without listening to it?
Fair do's
But if you think that's a rare occurence in music journalism you'd be sorely mistaken.... certainly from my experience.
You'd also be mistaken in thinking NARC hired 'good journalists' in it's first year. I've been writing since issue one and at the time I was fresh out of university with only the uni entertainments rag on my CV. Writers are volunteer contributors and I think Claire would agree with me that NARC is very much about giving promising talent an opportunity to develop their writing, and that has certainly been my experience.
The guy who reviewed a solo gig I did and who wasn't actually at the gig doesn't write for it anymore. Like I say, it's just one editor so she isn't always going to keep on top of people who aren't attending gigs.
If you haven't read it in 4 years you might want to pick up a copy and see how the writing and layout has improved since then.
.........
I think the point that everyone is emphasising by debating NARC's merits, and the overlooked bands from this piece, is that Newcastle is a city with a scene that’s got it’s shit together, for a place that's often overlooked by touring bands and is only sporadically respected by the music industry, it’s time people started to recognise this... Thanks DiS.
There’s a wealth of media up in Newcastle compared to other cities outside of London and that choice should be appreciated ..... NARC has its place within the NE scene and does what it does well.
Exactly and that is the point I was trying to make re: the music and bands...
with regard my opinion on NARC having read all of this I admit it has been quite while since I read it and I may need to give it another go. :)
aye
It's also got a lot of snidy cynics who could try pulling their fingers out to support the scene instead of jeering at the select few positive folk who make music/promote gigs/write about it.
Everywhere else in the UK has a supportive network of bands, venues and promoters - we just have jealousy, bitching and backstabbing where no one can receive recognition without it supposedly being about who your mates are. Fucktards.
that i will completely agree on...
I am very much involved in the scene and it could be easily better if people got off their highhorse.
So why your beef with NARC?
When they cover the bands you refer to? And if they don't, their door is always open for contributors. I know it was mainly soapy, but your post picks up on the widespread misconception of 'NARC bands' and it being all mates reviewing each other and supposedly indie type stuff (though it's mainly the proper indie bands who kick up a fuss). It's always tried to be inclusive of more alternative/punk/metal bands, but if the people who know those scenes don't contribute how are they supposed to know?
That reminds me I think I'm meant to be doing something on Lavotchkin, I'll have a word with Si!
No beef mate just like I said I just didn't give it a go and yes was guilty of a misconception
certainly didn't think it was shit or anything like that.
Sorry if thats how it came across.
nah I know...
unfortunately you just stirred years of backed up retaliation! ;)
Fucktards.... Good word.
There’s always going to be a faction that are cynical, especially in a small City, but even registering that helps perpetuate it. Action & positivity are the perfect antidote.
I don’t think the grass is necessarily greener elsewhere, you just don’t see the full 360 degrees of a scene without living it....and no matter what industry you’re talking about, or where you are based people will always make it about who you know and not what you’ve achieved- just make sure those people you know have an opinion you respect, and to hell with the rest! Highhorses are designed for falling off.
Yours optimistically x
Beth Jeans Houghton may well be brilliant
but i've never heard her music and already she irritates me so much it makes me want to pull off my ears. She seems like a half arsed Lady Gaga
So what are you making this presumption on?
If you've never heard her music?
She's actually a lovely person.
Hmm
Well the steady decline in the number of decent promoters and venues makes me less optimistic... there needs to be more support and participation if things are to stabilise.
You're right about Mammal Club
They're among the finest bands in Newcastle at the moment. There's so much good music around here right now that I couldn't cram it all into my first column, though. Give it time kids...
i have to side with soapy on this one.
i'm not really a narc fan and generally i'm embarrassed by the whole 'north east scene'. apart from field music. and kenickie. chyeahhhhh
ive never played in a newcastle band
and my friends bands rarely get Narc coverage, not that i think that bothers them, because like it or not there really does seem to be Narc bands and not Narc bands.
Not necessarily a bad thing, some narc bands are actually alright, but it's a bit off to pretend that there isn't a something of a divide.
mainly i was trolling a bit with my last post.
think of it as constructive criticism:)
If you've got shit writers don't hide behind the 'volunteer' blanket, if they're shit (and there have been some awful ones) and they don't know what they're talking about then stop accepting their submissions.
And it's usually fairly obvious from whats been written whether someone watched the bands or not. Writers tend to go overboard one way or the other, or just talk about things related to said band but not their actual performance. I remember a good few reviews that might as well have just been of myspace profiles back in the day.
while i have basically given up on it covering stuff i'm really interested in regularly, it isn't quite as bad as it used to be.*
*although, we're the best if thats not good enough f-u is a bit of a high horse scene elite tone to be taking yourself y'know ;)
and beth
if she doesn't hurry up and get her album done sometimes i worry that she'll be over taken by some kind of laura marling inspired wave of twee-female singer songwriters and get lost in the crowd.
which would be a shame because she's one of the more promising 'indie' acts around town.
someone will know better than me but there are some cool noisier bands too
like Bong, Culver, Jazzfinger etc A lot of them have releases on this label
http://arequestforvolume.wordpress.com/infinite-exchange-records/
...hmm.
It's nice to see Newcastle get some more coverage, and if this is just an introductory piece that sets things up for something slightly more in-depth next time around, then fair enough.
Without wanting to start up the NARC debate again though (as a contributor to it, it's been nice to known that someone's reading it, even if they think it's a load of old shit...), it's a bit annoying to see the same old names again and again in any Newcastle coverage, be it local or national - I mean, surely we can do better than Let's Buy Happiness? Had the mispleasure of seeing them at the Evolution Festival launch, and they're like a watered-down Bombay Bicycle Club (now there's a sentence I never hoped to write!). NARC's far from perfect, and there are definetely a few bands, good or otherwise, it's seemingly illegal to write negatively about, but for a free magazine focusing on a small area, the scope of the thing's pretty damn impressive: just looking at this month's issue, going from major acts like Broken Bells to smaller acts to local acts to arts coverage ain't no small feat. There's things it misses out on - certainly, the lack of punk/hardcore coverage is pretty notable. But as long as people keep boycotting the magazine and not writing for it, it's not going to change, is it?
Back to DiS though: nice to see some more regional coverage (and if, as I'm assuming, this is a format to be expanded into other cities, then possibly a really useful tool for local scens across the country), but if it's going to work, a bit of depth could be useful. I don't know what it's like elsewhere, but I really, really could do with never reading about Frankie and the fucking Heartstrings for as long as a live. Best of luck with this though, it's a pretty neat idea.
Say what you want about the writing
I've written some shit reviews and I dare say I've some. I wasn't saying to hide behind the volunteer thing just if you haven't read it in a while you might see how they've improved, or the shit ones aren't writing for it anymore. Depends on whether you and the editor agree on what's 'shit' or not.
I'm not saying it's the best, I'm saying there's nothing else really. Bar the Crack and a couple of fanzines. And the content IS determined by the contributors and I really don't think it gears towards any particular genre or scene. You've got writers like Idene covering the clubs, a few people interested in punk/metal (though probably not enough), Alt Vinyl and Richard Dawson cover the weird avant garde stuff in their column... so what's not getting covered?
I just don't think there are NARC bands. Are you one of the ones that thinks it's too indie guitar orientated or too experimental and weird?? Because there seems to be two camps.
Who are your mates' bands?
Names and myspace addresses please, also maybe a list of some events that they've put on or been part of over the last few months? And I don't mean playing the Head of Steam at a Too Far North gig. If your friends' bands really do deserve to be heard then I'm sure Narc just need to be told about them.
Beth J H
surely IS part of the Laura Marling inspired wave of twee-female singer songwriters? I mean, I'm not debating the quality of her songs, but there's no escaping that..?
Hahah, theskysawfulblue, you know the score
agree with all you've said. Toby Rogers is great and I reckon this column is going to end up being brilliant. The Narc-hating is laughable, criticising a magazine for not covering music scenes whos' members refuse to even consider writing for Narc in the first place. The only problem I have with Narc is that they cover too many national and international bands these days, they should focus on the regional scene and promoting local events a bit more. Also, less Sunderland coverage, as don't they already have Manifesto magazine?
Lots of Narc reviews are positive because, as you say, it's a small city and it's impossible to really lay into bands like national magazines do cause you'd be pissing on the guy next door, so to speak.
I do think that the bands mentioned here are kinda predictable but it's just a fact that they're the biggest bands from Newcastle at the moment and therefore are the sensible introduction to the Newcastle music scene. Cause as much as I am not keen on Little Comets (being v careful with my words here) you can't ignore the fact that they're signed to Sony. Or have they been dropped??
Are Ryoga the beardy guys who play mainly instrumental stuff? Saw them a few months back, amazing!
I was an avid gig-goer in the pre futureheads/maximo days, who remembers
Parklandsway? Written From Negative? TAV (are they still going??, Sefelt & Paper Cut Out ?, both of these could have been a monumentally HUGE bands.
criticism isn't that narc doesn't cover scenes that don't interact with it
just that it in relation to this column its somewhat parochial nature would mean it a mistake to think that its coverage is the authoritive endnote on the newcastle scene.
i'd agree with you that they cover too many national bands - but thats something they'd need to do to get people to pick it up, whose going to grab a magazine with dressed in wires on the cover and think this is going to be a great casual read?*
since you ask my friends who are most involved with music have been putting on and playing shows with fairly notable artists like chuck ragan from hot water music as well as bands like dillinger four, leatherface, lemuria, defiance ohio, and bridge & tunnel over the last year or so. so no, not some no mark grey student indie like i think you where slyly hinting at.
this column should be great and i only started this to say that i hope the writer doesn't fall into the easy (and lazy) trap of thinking that something like Narc and its bands are the be all and end all of the exciting interesting stuff that's happening up here and just writing about that bands it regularly covers.
as mentioned above theres been some great extreme metal, doom and grindcore type stuff too but thats even more at the fringes most of the time.
*dressed in wires did play some pretty cool shows though
Well why would he do that?
That'd be pretty stupid.
parklandsway/sefelt...
...members of each of these band are now spread across two new bands: Manila Chapter and Lost Riots.
are you saying it wouldn't be an easy write
to consider the cluny-headofsteam axis the life and soul of music on tyneside and something like narc its wouldbe definitive voice?
Yes it would be easy
But I don't think it's what DiS stands for and what they would ask from their writer.
I also think that bands like DSC, Little Comets and LBH kind of surpass the NARC stratosphere in that they've mostly received national attention prior to any major coverage in the magazine. They get covered by this site and NARC now because you can't deny they are at the forefront, nationally, of bands that represent the north east whether you like them or not.
I just don't agree that the bands/scenes you refer to don't get covered, because I read about them in there a fair bit, otherwise I wouldn't know about them. Certainly not as the main coverage, but there are columns and live reviews that cover the more alternative stuff that goes on... and if they've chosen not to get involved in the magazine, when it's based on local contributions, then that's up to them.
NARC has no agenda, no backhanders from anyone to cover their bands or any particular scene. If you're that into the bands and the music and you can write then there's no reason not to get involved rather than be jaded about it.
This Aint Vegas
aren't still going, but 3 of the 4 are in the not too dissimilar Coal Train. A couple of WFN are now in U-U.
ANYWAY
Most of the best north east bands are playing this:
http://www.solutiongroup.co.uk/testing/nse_poster/poster_web.jpg
When's the next column Toby??
Paper Cut Out haven't done a gig in years. . .
. . . and I don't think there's any plans for them to do any more.
Kev from Written From Negative is now in Field Music, does solo stuff as razmataz lorry excitement and also plays in B>E>A>K> (the Sunderland lot) and Mansions Of Glory. Busiest man in showbiz!
Re: NARC mag. It genuinely does cover a lot more different types of music/bands/artists that most people give them credit for (seriously, get the mag, divide it up into sections divided by genre, then tell me what percentage is allocated to each one). The mag is entirely staffed by unpaid volunteers and, as was pointed out earlier, if a band really does deserve to be heard then NARC just needs to be told about them.
However, because volunteers write for it, and soapy does actually have a point here, this leads to one or two ill-informed shit scribes writing for it and unfortunately, human nature being what it is, the crappy bits always stick in the memory rather than the good bits. Also, the editor multi-tasks, she edits, typesets, sells ads etc, so there is never enough time to fact-check. This means that the onus is placed on the volunteer to fact-check themselves, and if one of the aforementioned shit writers are writing for it, well, you know what happens.
Fact is, NARC is very much A Good Thing and the North-East "scene" is all the better for having it.
(P.S. Yeah, the doom/drone/grind/underground metal scene in Newcastle is excellent, but does DiS ever cover that shit anyway?)
it has done in the past
mainly just headline acts like sunn0))) but there's no reason for it not to dedicate an issue of this column to what we've got going on
why not...
why not get in touch with Toby Rogers and offer some help/info on other genres not represented in the article, or which he may not be an expert voice on? pretty sure he'd be open to any input for future columns and it would give a much more well-rounded representation of the Newcastle scene.

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