Hot Club de Paris
With Days Like This As Cheap As Chewing Gum, Why Would Anyone Want To Work?
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- Artists:
- Hot Club de Paris »
- Label:
- Moshi Moshi Records »
It would be easy to dismiss Hot Club de Paris’s love of wordplay and quirky time signatures as a distraction from their music, and perhaps in the past this may have been the case. Despite occasional flashes of brilliance, the trio’s output up until now has been very much representative of a band attempting to get comfortable in their own skin. On the oh-so-ironically titled With Days.... EP, however, the Liverpool boys exchange verbal jousting for a little more musical focus with their most streamlined offering yet.
Sure, there’s still echos of anything from the criminally underrated Jetplane Landing (circa Zero for Conduct) to The Jam via early Bloc Party, but there’s no denying a newfound sense of identity in tracks like ‘Dance a Ragged Dance’ and the all-too-brief ‘Noses Blazing’. Gone are the flirtations with afrobeat underpinning much of Live at Dead Lake, firmly buried in exchange for a more structured approach to songwriting with an emphasis on weaving guitar melodies, tighter vocals and solid production.
With the exception of ‘They Shoot Horses, Don’t They?’ – a jumble of ideas that never quite pulls together into a cohesive whole – the Smith brothers have delivered a selection of agreeable, upbeat songs exuding youthful energy and confidence. ‘Dance a Ragged Dance’ kicks things off, urging the listener to cut loose in “days filled with pretentious times”. Presumably a jibe at an overly-serious music scene that’s forgotten how to have fun, the track doubles as a defiant middle finger salute to early critics. Dextrous guitar lines interweave with chiming melodies, underpinning what appears to be a conscious effort on Paul Rafferty’s behalf to tighten up the vocals.
‘Fuck You, The Truth’ opens with a minute of ringing percussion before breaking down into a Bloc-party style workout – all angular rhythms and shouty narrative executed with undeniable vigour. ‘Dog Tired at the Spring Dance Marathon’ never really gets off the ground, more half-baked musical notion than fully realised song and the less said about the confused ‘They Shoot Horses...’ the better. Thankfully though, this faltering mid-section proves to be more a stumble than a tits-up, sprawled flat-on-your-face faux pas.
Despite a largely pleasing offering, it is evident that the band are still struggling with past demons. The stream-of-consciousness lyrics more often than not get in the way of the music, distracting the listener. However, where the band keep their collective eye on the ball such as the excellent ‘Noses Blazing’, it all comes together beautifully. Two minutes of lean, mean pop perfection, the track is arguably the best example yet of the group’s potential.
Minor niggles aside, With Days... EP clearly documents a group who’s confidence is growing exponentially with each successive release. These boys are clearly determined to make good on early signs of promise with a measure of optimism that’s difficult to resist. As the final bars of ‘Extra Time, Sudden Death’ draw to a close, one can’t help but wonder what might have been had they chosen to record a full-length album.
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This Band
are consistently brilliant. I don't get the Bloc Party comparisons, or even the Afrobeat reference. And the lyrics are often the best bit. But then 7/10 is no mean score anyway.
I agree completely, I like how he tries to imply a far too long intro on Fuck You, The truth. When its actually closer to 30 seconds.
?
Chaps - to clear up the comparisons:
The Bloc Party reference - 'Fuck You, The Truth' sounds so much like Silent Alarm era Bloc Party it's not funny (not that this makes it a bad track necessarily). Check it out, great album.
The afrobeat reference - last album Live at Dead Lake (if you're familiar with it) had a clear afrobeat tinge to most of the tracks.
Oh, and the intro to 'Fuck You...' is 51 seconds long :-)
He/You refers to a minute of "ringing percussion", before going into "Bloc-party style workout". So if you actually listen the plinky plonky bit lasts about 39 seconds, then the guitar kicks in. So closer to 30 seconds, yeah?
By Afrobeat you mean Math, as in thats what their mainly influenced by. Or have you never heard of Owls, Joan or Arc, Don Caballero?
Tommy, you must derive so much joy out of life...
Also if you Google 'Hot Club De Paris' and 'Afrobeat' you'll see there are quite a lot of people out there you need to lecture on the error of their ways, including HCDP's own record label.
Honestly, it's a mostly positive review of a band you're clearly a fan of, and your response is to see red over whether or not an into is 39 seconds or 51. Take some deep breaths, man!
If a journalist has poor reference of music to compare a band too I'm not bothered. It just seems like laziness.
Well the feeling I get from your writing style is that you make it out to be a long intro by overstating it.
I didn't get that impression
Have a word. Or a wank.
Hey Tommy - music is subjective is it not?
......as is an individual’s frame of reference, surely. Just because I haven’t drawn the same comparisons as your good self, it doesn’t make them any less valid (or indeed lazy...!). I’ve no doubt your point of reference is spot on, as I’m sure we could draw a long list of other similar sounding artists.
Trouble is, writing a review is more about objectivity than whether or not you ‘like’ the album (I do, by the way). Seems to me that unless I’d heaped anything but glowing praise on the good chaps from Liverpool then I would’ve been in the firing line anyway. Wouldn’t make for a very balanced view though, would it?
Oh, and unless my media player is severely up sh*te creek, that intro is definitely 51 seconds long :-D
Good review - Fair
Great E.p. Also 99p on play.com!



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In Photos: Latitude Festival 2010 @ Henham Park, Suffolk
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